| Sarah Bernhardt |
Sarah Bernhardt in June, 1877, during a visit to Boston, Massachusetts |
| Born |
Sarah-Marie-Henriette Rosine Bernard
March 22, 1844 [1]
Paris, France |
| Died |
March 26, 1923 (aged 78)
Paris, France |
| Years active |
1862-1923 |
| Spouse(s) |
Ambroise Aristide Damala (1882-1889) |
Sarah Bernhardt (October 22, 1844 – March 26, 1923) was a French stage actress, and has been referred to as "the most famous actress in the history of the world".[2] Bernhardt made her fame on the stages of Europe in the 1870s, and was soon in demand in Europe and the Americas. She developed a reputation as a serious dramatic actress, earning the nickname "The Divine Sarah."
Early life
She was born in Paris as Sarah-Marie-Henriette Rosine Bernard, the daughter of Julie Bernardt and a father of Dutch nationality. She added the letter "H" to both her first and last name, and used the name of Édouard Bernardt, her mother's brother, as the name of her father. This was probably done to hide the fact that her father was unknown. Her grandfather, Moritz Bernardt, was a Jewish merchant in Amsterdam. Most likely, her Jewish mother was also born in Amsterdam.
Much of the uncertainty about Bernhardt's life arises because of her tendency to exaggerate and distort. Some claim she was born in Iowa and ran away to Paris, where she assumed a new identity as a French citizen to begin a stage career. Alexandre Dumas, fils (the author of La Dame aux camélias, in which she appeared almost 3000 times) described her as a notorious liar.[3] She soon developed a reputation as a serious dramatic actress, earning the title "The Divine Sarah"; arguably, she may have been the most famous actress of the 19th century.[4] She even traveled to Cuba and performed in the Sauto Theatre, in Matanzas, in 1888. She coached many young women in the art of acting, including actress and courtesan Liane de Pougy.
Visual arts and recordings
Although primarily a stage actress, Bernhardt made several cylinders and discs of famous dialogues from various productions. One of the earliest was a reading from Phèdre by Jean Racine, at Thomas Edison's home on a visit to New York City in the 1880s. She was involved with the visual arts, acting, painting and sculpting herself, and modeling for Antonio de La Gandara. She also published a series of books and plays.
During her time, Bernhardt had a strong influence on grand opera, an influence that continues to this day. Tosca and Salome, for example, contain two of opera's most sensational heroines, both based on plays written for Bernhardt.
In 1914, Bernhardt was made a member of France's Legion of Honour.[5]
Private life
The Fool and Death, a bronze sculpture by Sarah Bernhardt depicting the character of Triboulet in Hugo's Le roi s'amuse.
Bernhardt had an affair with a Belgian nobleman, Charles-Joseph Eugène Henri, Prince de Ligne, with whom she had her only child, Maurice Bernhardt, in 1864. He married a Polish princess, Maria Jablonowska (see Jablonowski). Later, close friends included several artists, most notably Gustave Doré and Georges Clarin, and actors Mounet-Sully and Lou Tellegen, as well as the famous French author Victor Hugo. Alphonse Mucha based several of his iconic Art Nouveau works on her. Her friendship with Louise Abbema, a French impressionist painter 14 years her junior, was so close and passionate that the two women were rumored to be lovers.
She later married Greek-born actor Aristides Damala (known in France by the stage name Jacques Damala) in London in 1882, but the marriage, which legally endured until Damala's death in 1889 at age 34, quickly collapsed, largely due to Damala's dependence on morphine. During the latter years of this marriage, Bernhardt was said to have been involved in an affair with the Prince of Wales, who later became Edward VII.[6]
Bernhardt was not known to be a religious person, and once stated, "Me pray? Never! I'm an atheist."[7]
Silent film career
Bernhardt was one of the pioneer silent movie actresses, debuting as Hamlet in the two minute long film Le Duel d'Hamlet in 1900. (Technically, this was not a silent film, as it had an accompanying Edison cylinder with sound effects.)[8] She went on to star in eight motion pictures and two biographical films in all. The latter included Sarah Bernhardt à Belle-Isle (1912), a film about her daily life at home.
Later career
In 1905, while performing in Victorien Sardou's La Tosca in Rio de Janeiro, Bernhardt injured her right knee during the final scene which required her to leap from a high wall. The leg never healed properly. By 1915, gangrene had set in and her entire right leg was amputated, confining her to a wheelchair for several months. Bernhardt reportedly refused a $10,000 offer by a showman to display her amputated leg as a medical curiosity (while P.T. Barnum is usually cited as the one to have made the offer, he had been dead since 1891). Nonetheless, she continued her career, and contrary to belief, without the use of a wooden prosthetic limb (she tried using one, but didn't like it). She carried out a successful tour of America in 1915, and on returning to France she played in her own productions almost continuously until her death. Her later successes included Daniel (1920), La Gloire (1921), and Régine Armand (1922). Her physical condition confined her practically to immobility on the stage, but the charm of her voice, which had altered little with age, ensured her triumphs.[9]
On 26 March 1923, Bernhardt died of uremia in the care of her son Maurice. She is buried in Père Lachaise Cemetery, Paris, France.[10]
Sarah Bernhardt has a star on the Hollywood Walk of Fame at 1751 Vine Street.
Books
- Dans les Nuages, Impressions d'une Chaise Charpentier (1878)
- L'Aveu, drame en un acte en prose (1888)
- Adrienne Lecouvreur, drame en six actes (1907)
- Ma Double Vie (1907), & as My Double Life:Memoirs of Sarah Bernhardt, (1907) William Heinemann
- Un Coeur d'Homme, pièce en quatre actes (1911)
- Petite Idole (1920; as The Idol of Paris, 1921)
- L'Art du Théâtre: la voix, le geste, la prononciation, etc. (1923; as The art of the Theatre, 1924)
- Sarah Bernhardt My Grandmother (1940)
Selected roles
Sarah Bernhardt as Hamlet, c. 1880-1885.
Sarah Bernhardt, in a portrait, 1890s.
- 1862: Racine's Iphigénie in the title rôle, her debut.
- 1862: Eugène Scribe's Valérie
- 1862: Molière's Les Femmes Savantes
- 1864: Labiche & Deslandes, Un Mari qui Lance sa Femme
- 1866: T & H Cognard's La Biche aux Bois
- 1866: Racine's Phèdre (as Aricie)
- 1866: Pierre de Marivaux's Le Jeu de l'Amour et du Hasard (as Silvia)
- 1867: Molière's Les Femmes Savantes (as Armande)
- 1867: George Sand's Le Marquis de Villemer
- 1867: Georges Sand's "François le Champi" (as Mariette)
- 1868: Dumas père Kean (as Anna Damby)
- 1869: Coppée's La Passant, as a male troubador (Zanetto); her first major stage success
- 1870: George Sand's L'Autre
- 1871: Theuriet's Jeanne-Marie
- 1871: Coppée's Fais ce que Dois
- 1871: Foussier and Edmond La Baronne
- 1872: Bouilhet's Mademoiselle Aïssé
- 1872: Hugo's Ruy Blas (as Doña Maira de Neubourg, Queen of Spain)
- 1872: Dumas père Mademoiselle de Belle-Isle (as Gabrielle)
- 1872: Racine's Britannicus (as Junie)
- 1872: Beaumarchais's Le Mariage de Figaro
- 1872: Sandeau's Mademoiselle de la Seiglière
- 1873: Feuillet's Dalila (as Princess Falconieri)
- 1873: Ferrier's Chez l'Avocat
- 1873: Racine's Andromaque
- 1873: Racine's Phèdre (as Aricie)
- 1873: Feuillet's Le Sphinx
- 1874: Voltaire's Zaire
- 1874: Racine's Phèdre (as Phèdre)
- 1875: Bornier's La Fille de Roland
- Dumas fils' L'Étrangère (as Mrs. Clarkson)
- Parodi's Rome Vaincue
- 1877: Hugo's Hernani (as Doña Sol)
- 1879: Racine's Phèdre (as Phèdre)
- 1880: Émile Augier's L'Aventurière
- 1880: Legouvé & Scribe's Adrienne Lecouvreur
- 1880: Meilhac & Halévy's Froufrou
- 1880: Dumas fils' La Dame aux Camélias (as Maguerite)
- 1882: Sardou's Fédora
- Sardou's Théodora (as Theodora, Empress of Byzantium)
- 1887 : La Tosca de Victorien Sardou
- Dumas fils' La Princesse Georges
- 1890: Sardou's Cléopâtre, as Cleopatra
- 1893: Lemaître's Les Rois
- 1894: Sardou's Gismonda
- 1895: Molière's Amphytrion
- 1895: Magda(translation of Sudermann's Heimat)
- 1896: La Dame aux Camélias
- 1896: Musset's Lorenzaccio (as Lorenzino de' Medici)
- 1897: Sardou's Spiritisme
- 1897: Rostand's La Samaritaine
- 1898: Catulle Mendès Medée
- 1898: La Dame aux Camélias (as Marguerite Gautier)
- 1899: Shakespeare's Hamlet (as Hamlet)
- Shakespeare's Antony and Cleopatra (as Cleopatra)
- Shakespeare's Macbeth (as Lady Macbeth) (in French)
- Richepin's Pierrot Assassin (as Pierrot)
- 1900: Rostand's L'Aiglon as L'Aiglon
- 1903: Sardou's La Sorcière
- 1904: Maeterlinck's Pelléas et Mélisande (as Pelléas)
- 1906: Ibsen's The Lady From the Sea
- 1906: Mendès' La Vierge d'Avila (as Saint Theresa)
- 1911: Moreau's Queen Elizabeth (as Queen Elizabeth)
- 1913: Bernard's Jeanne Doré (as Jeanne Doré)
Films
portrait by William Downey
- 1900: Le Duel d'Hamlet (Hamlet, as Hamlet) An excerpt from the play, featuring Bernhardt in a duel to the death with Laertes.
- 1908: La Tosca (Tosca, as Tosca) A one-reel condensation of the play by the same name by Victorien Sardou.
- 1911: La Dame aux Camélias (Lady of the Camelias - Camille, in the U.S. release, as Camille) A two-reel condensation of the play by the same name, and co-starring Lou Tellegen.
- 1912: Adrienne Lecouvreur (An Actress's Romance; as Adrienne Lecouvreur) A two-reel condensation of the play by the same name. Co-starring Lou Tellegen.
- 1912: Les Amours d'Elisabeth, Reine d'Angleterre (Queen Elizabeth; a major success) A four-reel condensation of the play of the same name. Co-starring Lou Tellegen.
- 1912: Sarah Bernhardt à Belle-Isle (Sarah Bernhardt at Home, as herself) This documentary features Sarah at home with her family and friends, fishing for shrimp, and cuddling indoors with her pet dogs.
- 1915: Mères Françaises (Mothers of France, as Madame Jeanne D'Urbex, a war widow in World War I. When she learns that her son has also been wounded, she searches the battlefields, crawls through trenches, and finally reaches him at a medical station only to have him die in her arms. After this tragedy, she dedicates her life to helping others survive the ravages of war.
- 1915: Ceux de Chez Nous (Those at Home: biographical, home movies) Among other celebrated persons of the era, there is a brief scene featuring Sarah sitting on a park bench and reading from a book.
- 1916: Jeanne Doré (as Jeanne Doré). Based on a play of the same name. Sarah appears as a widowed mother, who lavishes attention on her son, Jacques. When he is seduced by a temptress and accidentally murders a man, she visits him in his cell on the night before his execution, pretending to be his fiancée, so he can have one moment of final pleasure.
- 1921: Daniel (5-minute death scene from the play of the same name.) Sarah appears as a morphine addict in the hour before death.
- 1923: La Voyante (The Fortune Teller,) Sarah appears as a clairvoyant, who makes predictions that influence the outcome of national events. This film was Sarah's final performance, and was made while she was mortally ill. It was eventually completed with scenes made with a stand-in performing Bernhardt's character with her back turned to the camera.
Recordings
Sarah Bernhardt
Georges Clairin (1843 - 1919) oil painting on canvas
- Phèdre (1902)
- Le Lac (The Lake) (1902)
- La Fiancée du Timbalier (1902)
- Lucie (1902)
- Le Lac (1903)
- La Samaritaine (1903)
- Les Vieux (The Old Ones) (1903)
- Un Évangile (A Gospel) (1903)
- Phèdre (1903)
- La Mort d'Izéil (The Death of Izéil) (1903)
- La Rêverie de Théroigne de Méricourt (The Dream of Théroigne de Méricourt) (1903)
- Un Peu de Musique (A Little Music) (1903)
- L'Aiglon (The Eaglet) (1910)
- Phèdre (1910)
- Les Buffons (The Buffoons) (1908)
- La Samaritaine (1910)
- L'Étoile dans la Nuit (The Star in the Night) (1918)
- Prière pour nos Ennemis (A Prayer for our Enemies) (1918)
References
Further reading
- Lorcey, Jacques. Sarah Bernhardt, l'art et la vie, Paris : Éditions Séguier, 2005. 160 pages. Avec une préface d'Alain Feydeau. ISBN 2-84049-417-5.
- Menefee, David W. Sarah Bernhardt in the Theater of Films and Sound Recordings. North Carolina: McFarland, 2003.
- Menefee, David W. The First Female Stars: Women of the Silent Era. Connecticut: Praeger, 2004.
- Skinner, Cornelia Otis. Madame Sarah. Paragon House, 1966.
External links
Wikiquote has a collection of quotations related to:
| Persondata |
| NAME |
Bernhardt, Sarah |
| ALTERNATIVE NAMES |
Bernardt, Marie Henriette |
| SHORT DESCRIPTION |
Actress |
| DATE OF BIRTH |
22 October 1844 |
| PLACE OF BIRTH |
Paris, France |
| DATE OF DEATH |
26 March 1923 |
| PLACE OF DEATH |
Paris, France |
|
,_Sarah-Benhardt.jpg)
